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There are other biblical bad girls, such as Potiphar's temptress wife and Samson's treacherous Delilah. Jezebel's reputation, however, elevates her notoriety beyond that of other women in the Scriptures. But how much is true? Old Testament stories originating in the mists of time may be rooted in reality, but they evolved into metaphor and parable with each retelling.


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Along with Ruth Putnam and Betty Parris, Abigail, Mercy, and Mary were in the woods with Tituba; along with Susanna Walcott, the girls form the core of the group of "afflicted" girls who accuse others of witchcraft during the trials.


Abigail only appears onstage in Acts 1 and 3, although she is talked about by other characters in the other two acts. In Act 1, she enters very near the beginning (right after Tituba has been shooed off by Parris) and stays onstage through the end of the act; in Act 3, she and the other girls are summoned to the court towards the last third of the act to explain and deny Mary Warren's accusations, remaining onstage through the end of the act.


Abigail is brought into the courtroom (along with the other afflicted girls) by Danforth for questioning. She denies that she has lied about the supernatural torments she's been through, affirming that Mary is lying and that "Goody Proctor always kept poppets" (Act 3, p. 96), and appears insulted when Danforth asks her if she's sure she didn't just imagine it all.


By Act 3, however, Abigail cares more about holding onto the power she already has than about John Proctor. We know this because when Mary Warren accuses John Proctor of being "the Devil's man," Abigail makes no move to deny it. Instead, she and the rest of girls echo Parris's "Praise God!" (p. 110).


By Act 3, however, it's no longer clear exactly how much Abigail is faking the fright and fits. The argument can certainly be made that she and the other girls are trying to intimidate Mary Warren into retracting her statements about them lying. Abigail does, however, appear to show at least some physical manifestation of her distress (which is harder to fake):


All of the girls in the establishment are girls of easy virtue and obtain money and gifts by entertaining buyers. The atmosphere in the dress shop is filled with sex, and the experiences of the models with the men they meet in business. As is customary among such girls, they do not hesitate to discuss freely their own experiences, and speculate as to the experiences of the other girls.


When the models learn that Mary has accepted an invitation from Mr. Bernstein, it is synonymous to them with Mary's becoming his mistress. The next morning, the girls eagerly await the arrival in the establishment of Bernstein and Mary and they make suggestive remarks when they do not appear at the usual time. Mr. Bernstein finally arrives around noon and informs them that Mary will not be in that day. The girls have, of course, surmised correctly. Mary is established as Bernstein's mistress.


The opening scene is the Black Forest in Germany. A group of students on a walking tour through the country come upon a small lake where a number of girls are bathing. One of the students, Ned Farraday, an American, approaches one of the girls, Helen, who is particularly attractive. She begs him to go away, tells him that she is an actress, and will be late for her performance if he does not leave and allow her to dress herself. Upon her promising to meet him after the theater, he and his friends continue their walk. Farraday and the girl meet later; fall in love; eventually they are married, and go to America to live. They have a child who develops into an attractive boy to whom they are both devoted. 2ff7e9595c


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